I am a painter. And when I can find a moment alone, that’s when I go searching for precious things that seem desperately lost to me. I like to envision the soul as something that is hidden behind layers of thin sheer veils. Every time I stroke the canvas, gentle fingertips pull back another veil. The thicker the canvas surface becomes, the closer I am to revealing something hidden inside. Gone Sometimes I think I know what I am painting about, or searching for, but then something unexpected happens. For the last couple of years, I have been slowly working on a series of paintings inspired from the book, Joan of Arc: Her Story by by Régine Pernoud, Marie-Véronique Clin, and Jeremy duQuesnay Adams. The latest painting in the series is entitled, Joan Marries Fire. As I worked, I kept in mind Joan’s young body burned, her indescribable pain, her ascension into heaven, her final gown of peace. I thought of myself as well: what parts represented the fire, the freedom from pain, or the white dress in my own life. But then, something unexpected happened. Many who knew me thought that “Joan” was meant to be my son, Clay. Now, let me tell you about Clay. First, he is 13 and he is beautiful. Secondly, he cannot walk, or run, or talk, or hold his head up, and his communication with the outside world is limited. Well, I was floored at these assumptions. I even felt as if I had failed. No! It was supposed to be Joan! I thought to myself. I looked at the painting some more. My dream Joan was there, yes. I was there, yes. Oh! Yes, Clay was there too. I saw him now; his head so often extended and turned to the side, his pale ghostly skin, his limp whispering hands. How did I not see it before? Through his life you could say he has been married to fire. I am almost sure he longs for freedom from his broken body. I wonder if he dreams of a gown of comfort to caress his twisted bones, like the one Joan wears in the painting.
Joan Marries Fire. Oil on Canvas. 36” by 48” copyright Christy Boyer.
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